by Stephanie Meyer
Well, I finally read it. After constant insistence on the sheer awesomeness of this book and the countless times I've been told to just read the damn thing, I finally have. And I went into the book with an equal sense of high expectations and a bit of stubborn skepticism. On both fronts I have been generously not disappointed.
First of all, this book is highly entertaining, the most of any book in my recent memory. It is rare to find a page-turner of this magnitude and like many books of the same breed, it draws this from its narrative. This Romance novel is dangerously addictive with its sensual tale and dark tone, it appeals to the inner romantic and emotive of any normal-brained adolescent (myself included). It is, however, by and large a girl's book. Not that open-minded testosterone induced individuals cannot enjoy it, I did immensely, but this was done by a woman and it clearly shows. The hero is a girl, and not only that, but a rather plain girl. Bella then falls in love with Edward, a vampire who by the most Estrogen-filled chance is a complete stud. If anything, this is by part an ode to one of a perfect female fantasy of falling in love with a mysterious and very dark stranger who is handsome and powerful beyond belief.
That brings us to what works perfectly. The first part, and by large a majority of the book, deals with Bella's descent into a dark, romantic and very dangerous world. How Stephanie handles Bella's teenage mindset, the stages of her falling in love from outright denial and hate to the point of sheer unconditional love, is so well made that it makes every page gush with suspense even when there's absolutely nothing happening. The author's expert use of the senses in her narrative, her masterful grasp of the teenage mindset and even a dash of old school irony borrowed heavily from Meyer's obvious love of the classics all contribute to an expertly told tale of macabre romance. And there's barely a drop of blood for the majority of the novel. All this tells a lot of the narrative work and the excellent conversation handling.
But then for all its undeniable appeal, it has its downside. The hyped finale is both predictable and abrupt, not to mention the pumped up pacing horribly shatters the slow dark build up of much of the book's romantic run. If anything, the delve into death is inevitable to add a sense of conflict and danger, but the handling of it is by far different from the rest of the book it ends up feeling completely different and quickly concluded, as if as an afterthought. If anything, it acts more like the end of a television episode where you have the feeling of inevitable continuation. While many books deal like that, this one deals so in such a case that it leaves a lot of disappointing conclusions, though a lot of the more interesting unanswered ones leave one wanting much more from the sequel.
Another disappointing turn is the handle on some characters. While most supporting are left ignored, it is the interesting ones that I feel are not given enough room to shine, and those that compromise this group is basically the Vampire family. While some characters are given a side story or two that adds a new dimension, such as the likable Alice, most feel more like missed opportunities such as Jasper and Rosalie who are both hinted at more conflict yet are never pushed to the extent beyond that of a character caricature. Speaking of which, the heroine herself, Bella, is by far a mixed element. While I applaud the exert handle on her for a majority of the issue, once she starts falling hopelessly in love with Edward she becomes highly annoying. You could excuse her sheer addiction for Edward's constant presence from time to time, one may even forgive her for thinking just about him just about every single page, but once this starts to pan out for the last quarter of the novel's run, it ruins a lot of the character build up she's had done on the first part of the book. In other words, she starts off as a responsible, smart and stubborn teenage girl and ends up a love-sick puppy with no sense of self worth. I know characters are supposed to change and evolve through the stories, but this is ridiculous, she feels like a completely different person by the end of it.
But all these, I suppose are excusable for now, just because of how well the story is driven into one's cranium. Despite its several flaws, and a few major one here and there, this story leaves one frantic and driven to know more about this dark world in Forks, despite the inevitable conclusion that, yes, you can probably guess what occurs in the next chapter. If anything, this is an ode to masterful storytelling that is entertaining beyond praise. It is no wonder that the book is so ridiculously popular, its appeal is just both so unique and yet so natural. A definite must-read for anyone looking for something to delve to in those long lonely nights.
7.5 out of 10
Quick COMIC Bashes
Wolverine # 62-65 (Get Mystique)
Written by Jason Aaron/ Pencils by Ron Garney
One of the best interpretations of the two characters ever, period. From the intricate look at their pasts to the mind-blowing confrontation between these two legendary characters, the handle on the interaction between the two is just spotless and highly entertaining. Now that Sabertooth is dead and rotting, I am really rooting for Mystique to take his place as Logan's arch-rival. This great book just shows that it's a match made in heaven. P.S. Garney's sketchy art is bot unique and highly addictive. While unremarkable at first, it grows on you to the point that you can't quite get enough of it.
10/10
Invincible Iron Man # 1
Written by Matt Fraction/ Pencils by Salvador Larroca
Awesome. It is clear that with the success of the blockbuster film, Marvel has decided to delve back a bit on what truly makes Tony Stark such a likable character. From his playboy mannerisms to his witty charm, this book molds the good old Stark with his more modern role as S.H.I.E.L.D Director. Better yet, it even plays up old school spasms withe Ezekiel Stane, son of the movie's villian Obadiah Stane, taking up the role as Iron Man's rival in the Iron suit business.
10/10
Batman # 676 (R.I.P.)
Written by Grant Morrison / Pencils by Tony Daniel
Is it just me or is every comic I've been getting so good it merits a ten? This is yet another one, not that R.I.P has begun, everyone is dying to know how Morrison is planning to kill of the Dark Knight. This book is more like a prologue more than anything else, and serves as a jumping point for any new readers and as a refresher for all the old ones. While books like these are usually boring, nothing Grant manages to do ever comes across as that. Besides, the spectacular and creepy finale more than merits the high score I give it now. Really, that ending is just so insane, I still have goosebumps right now. Joker is the bomb.
10/10
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